Yesterday I cinched up organizing my Instagram accounts. Or, at least I think I did. I’m really trying to figure this marketing stuff out since getting back into the game.
I now have one IG for business (the polished, no-nonsense account @quirkyandodd) and a personal one where I said I’d share more of the “warts and all” stuff of everyday life of an artist, and more behind the scenes of the studio (@lorigreenbergart).
So, here’s the first warts-and-all photo. I can’t believe I’m showing this. I know I need to master lifestyle photos. It’s been a crick in my craw (is that a real saying?) for a while now. I’ve tried and given up many times, but this time, I’m determined.
Doesn’t this photo just make you laugh? I mean, who even has the idea that you can put something gorgeous in a pile of rocks, stage it with some really cool pods and a little bit of their flowers for a pop of color, and it will magically work?
You know what I see? A pile of rocks and dismembered greenery. Don’t get me wrong, I love me some pods! But these look like little green asses that have been severed from their little garden troll bodies — if garden trolls are even green.
I won’t even get into the whole, “your gorgeous ring gets lost in all of that” issue. Or the shadows. ::sigh::
I can’t believe I just typed that. Being a working artist, everything is always for sale, isn’t it? Well, I learned the hard way that that’s the fastest way to take something that you love and turn it into a j.o.b., which leads to b.o., I mean, burn out.
On top of that, if you’re like me, when you’re not making stuff to sell, you’re always thinking about new ways to sell it.
You may rationalize with yourself and say, “But really, I *do* like doing it all.” And I wouldn’t argue with you. I love being immersed and as passionate just as much as the next guy, and it’s all good…until it isn’t. It creeps up on you and once you get to that point, it’s H-E-double-hockey-sticks getting out of it.
So, this weekend, I proactively said no more. Or in the wise words of Beverly Hills Chihuahua: NO MAS!
I declared a no-work weekend.
I argued with myself over this, and whined a little, “But I looooove making jewelry…I don’t want to stop on the weekends.” So, I came up with a compromise I could live with.
Anyway…spending time making something that someone else taught me will guarantee that I won’t turn it into a product line. Why? Because that’s just damn tacky. Cynthia is right when she says that the technique isn’t hard, it just takes a lot of time. Just how I like it.
I had this setting laying around from a failed glass stone setting attempt so I used it for my second polymer clay micro mosaic. The one below is the first one I made, in class, with another bezel that had a snafu with the stone I was going to set.
So, Friday came and I thought, I need to get a bezel made for my no-work jewelry making weekend! I’d spent a lot of the week working on designing an upcoming collection and I didn’t have it in me to toil with more. So, if it’s not dots I’m falling back on, it’s eyes, of course.
I liked the setting I’d already worked on so I set out to create one that was similar.
I realized that the method I use for creating the decoration around the edge is also mosaic-like. At this point I’m thinking I can probably relate anything in life to something to do with mosaics. Art mirrors life. Or the other way around?
I was excited to get back to the micro mosaic faces and now, having made them off and on for a couple of years I’ve become more proficient and am having some additional successes with color combos.
Because I am pretty comfortable with the technique and process I was able to work more freeform. That is, a strong foundation allows an artist to play (with more success). I didn’t have a plan like I usually do and started out making all of the more solid face components. Then I chose some color, and created a new one with a new scheme, which opened the door to even more options.
Something interesting happened along the way. Because there was no plan or template I started to let the glass chips do what they wanted. I started building areas of color and forming swirls and curves as I went. It was like I was painting with pixels, one at a time. Before I knew it, I had flames. I was not intending flames and I sure wasn’t intending a matching goatee. All I was thinking was that I wanted to match the orange in the nose and put some outline around the eyes. Working this way was really enjoyable. Like doodling but with minuscule little dots of glass. I felt like a painter; and I cannot paint, or draw.
The other ones, below, kind of happened that way too. I do wish that the color of the orange-ish/yellow section would have stayed the cool color that it was before it was fused in the kiln but, I still got a new color for my library and I will try again sometime with another combo to recreate the brighter yellow contrasted with the maroonish sangre color. It’s all good. (see that? I’m trying to appreciate what I’ve done rather than being so hard on myself).
I got really fast at making these because I eliminated some of the fine black outlining. But looking at the piece below you can see that that outlining does make a a big difference in the overall effect and feel of the piece. The fine black (as opposed to the thicker black lines above) are made with stringer about the thickness of a hair, if even that. It can get a little time consuming and tedious to say the least. I see that’s a necessary evil though. You might not realize it but the mouth murrini and eyes below are outlined in that black. If they weren’t they’d just kind of blend in. Gotta do it.
Next step is designing a frame (in cardboard) to pass onto my silver-fabricating buddy, Chris Mode, for the next steps. I’m kind of itching to try the silver again but I’m not sure. We’ll see if I can do it in cardboard first!