Back in the Jewelry Studio

It has been almost a year since I published my last coloring book. In true form, I’m on to the next thing. Or should I say, back to an old thing? This foray finds me back in the jewelry studio. I thought it would be fun to show you the process for one of the bracelet styles I’m making using scrap soft glass and silver fabrication.

First, I pull out some old scrap glass rods, stringer, and murrine cane, and chop it all up.
Then I line a steel tube with kiln paper and throw it all in.
After a 16 or so hour fuse in the kiln i have a nice puck of colorful glass with which to work.

These pucks get sliced into disks to reveal the designs hidden within.

I then slice them up into funky shapes.

Sometimes I use the scrap from this step.

And configure for another, shorter, fuse in the kiln.

Then comes the polishing. Sometimes I stop at a matte finish.

And sometimes I take them through six different grits of grinding and polishing wheels to achieve a higher shine.

Here is where it all starts to come together. Setting them in silver. I create a silver bezel to frame the little masterpieces.

And then cut out more silver to give them a nice backing.

From there, I solder the bezel to the backing and file the edges to a nice smooth finish.

And add some type of decorative element to make the back just as fun as the front.

If it’s a pendant, with a larger cabochon I am starting to get a little more creative with the setting, for more visual interest without being too busy against the design in the glass.

With the bracelets, the chain links that I solder between the pieces are just enough to pull it all together.

It feels really good to be back in the jewelry studio. Thanks for following along throughout the years!

If you’d like to see more of my process shots in almost-real-time you can follow me on Instagram or my facebook page.

You might also want to check out  my new web site to see all of the other pieces I’ve been creating this year at www.lorigreenbergjewelry.com.

Murrine and Silver Jewelry

After a fun weekend with friends at the end of last month I’m back to the writing thing. I’ve spent months agonizing over editing the first draft and rewriting. No matter how much I learn about the ego and the human psyche, they are still bitches and I continually need to sit down with them and tell them to shut the eff up! I am so grateful to the handful of people who have been so encouraging, and to those from whom I am learning by their example. I have lots to say on the writing front but I wanted to share today what I’ve been up to studio-wise.

I’ve joined the ranks of murrine collector. Maybe not a huge collector, but enough to know what I like and buy it just to look at. Here are some of my favorites:

By Greg Chase.

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By Ryan McCluer.

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One of them I made into a ring, which caused me to buy more cane so I can make more rings. You can never have enough skulls.

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Review: Hot Connections Jewelry: The Complete Sourcebook of Soldering Techniques

Don’t let the title fool you.  Hot Connections Jewelry:  The Complete Sourcebook of Soldering Techniques by Jennifer Chin is not just about soldering and connections.  In fact, the majority of the book teaches the reader about all aspects of fabrication and working with metal to make jewelry.  More than you bargain for!

Having dabbled in soldering techniques myself, reading other books and tutorials on the subject and having just about everything it takes to do this type of work, I was very excited to receive this book for review.  Something was missing from my technique and something called “The Complete Sourcebook of Soldering Techniques” seemed to be just what I needed.

You see, when I take up a craft, not only do I like to learn all I can about the technique involved, but I go deeper.  I like to learn about the materials, at what temperatures do they do what, how do the elements have an effect on them, how long will they last, etc.

So, as I started reading I was ecstatic to find that the properties of metals were described.  Their make-up, melting points, etc.  But don’t worry, for you non-information-nerds, it is covered in a concise, easy to peruse fashion.  I love that about this book.  Tons of information but laid out in such a way that you can ingest it easily.

As I read through torch information, safety and workspace set up, imagine my surprise when I got to chapter two.  Essential Fabrication & Soldering Techniques.  The surprise to me was the amount of time and attention to fabrication this chapter started.  I’ve read plenty of materials on fabrication and this book covers a LOT…

measuring, scribing, sawing, filing. bending, hinges, drilling, sanding, riveting, forging, dapping, chasing, reticulating, embossing with a rolling mill, patina, polishing…should I go on?

Jackpot! in this here book!

I would consider myself an intermediate beginner.  I know basically what I’m doing, I have the whole metal working set up, I just need some practice and time at the bench.  I already know how to make jump rings and ear wires (there is instruction in the book for that).  Perfect for a beginner or someone who wants to start making their own components.  But the book goes on to more intermediate and advanced techniques as well.  Hinges, reticulation, flush stone setting, pin backs, mixing metals, inlay…

If you are interested in metal jewelry technique, you need this book.  Let me say that again…If you are interested in metal jewelry technique, you need this book.  It is my new sourcebook for this type of work.

Oh, and of course, GORGEOUS photos in the tutorials and of accomplished artist’s pieces.  I also like the hand-drawn illustrations that accompany the photographs.  Kudos to Jennifer Chin and Potter Craft Publishing.

You can purchase this book on Amazon.com or Barnes & Noble online.

NOTE:  I received a book for review from the publisher but do not receive anything from sales resulting from links on this page or any other future sales.