The Distracted Jewelry Maker

I have this thing I do when I have a deadline that is looming over me. I go down rabbit holes that lead me in directions I shouldn’t be going. Take for example, the moment that I realized I didn’t have enough little fused glass gems to make part of my Witching Hour Collection. I’d used a bunch of them up during the experimentation phase.

I had enough left for three pair of earrings, or dangles for six bracelets or necklaces. I needed quite a bit more than that. So, what did I do instead of planning how many I I’d actually need? I decided that I wanted to make a lot more than I needed because, you know, it’s more efficient to make 100 of something all at the same time than to make 10. But I didn’t stop there.

This is what they look like when they come out of the kiln. The thing is, only SOME of those could be used for the collection I was working on as they weren’t all the same color. As I was setting them up to go into the kiln I rationalized that I’d have a stash, and I’d use them at some point, even if it’s five years from now. It’s always good to have stuff on hand, right?

And, they sure are pretty, aren’t they? So I had to make more. I put in more hours, creating more little orange niblets. Hours that should have been spent actually making the pieces for the launch of the collection.

It was at this point that I realized that I’d been using up my favorite little melamine dishes, and that I needed to add another pack to my shopping list. I use them to keep all the little bits and pieces on my jewelry bench organized. I think I have a little ramekin addiction. These are not the only stacks I have of little bowls like this.

So, I finally got enough cabochons made to get some earring pairs out of the bunch. And I was really excited about those bullseye looking nuggets

But, alas, the soft glass gods were not kind to me AGAIN, when it came to orange glass. The picture below shows some cracking that occurred. This is mainly because orange glass, in the type of glass that I use, doesn’t always play nice with other kinds of glass, and these rods have orange, clear, and white glass that are incompatible in this kiln fusing technique.

They would have made some really cool pieces. The one good thing about glass that cracks is that it can’t leave the studio. When it is particularly scrumptious to look at I get to keep them. So, these are now attached to my wall with a little museum putty, just hangin’ out for my viewing enjoyment.

I did get The Witching Hour Collection completed on time, and it launched August 20. It will be live until the end of October, or until the inventory sells out.

 

 

 

 

Back in the Jewelry Studio

It has been almost a year since I published my last coloring book. In true form, I’m on to the next thing. Or should I say, back to an old thing? This foray finds me back in the jewelry studio. I thought it would be fun to show you the process for one of the bracelet styles I’m making using scrap soft glass and silver fabrication.

First, I pull out some old scrap glass rods, stringer, and murrine cane, and chop it all up.
Then I line a steel tube with kiln paper and throw it all in.
After a 16 or so hour fuse in the kiln i have a nice puck of colorful glass with which to work.

These pucks get sliced into disks to reveal the designs hidden within.

I then slice them up into funky shapes.

Sometimes I use the scrap from this step.

And configure for another, shorter, fuse in the kiln.

Then comes the polishing. Sometimes I stop at a matte finish.

And sometimes I take them through six different grits of grinding and polishing wheels to achieve a higher shine.

Here is where it all starts to come together. Setting them in silver. I create a silver bezel to frame the little masterpieces.

And then cut out more silver to give them a nice backing.

From there, I solder the bezel to the backing and file the edges to a nice smooth finish.

And add some type of decorative element to make the back just as fun as the front.

If it’s a pendant, with a larger cabochon I am starting to get a little more creative with the setting, for more visual interest without being too busy against the design in the glass.

With the bracelets, the chain links that I solder between the pieces are just enough to pull it all together.

It feels really good to be back in the jewelry studio. Thanks for following along throughout the years!

If you’d like to see more of my process shots in almost-real-time you can follow me on Instagram or my facebook page.

You might also want to check out  my new web site to see all of the other pieces I’ve been creating this year at www.lorigreenbergjewelry.com.

Mandala Coloring Books for Adults on Amazon

You can now buy all three of my coloring books for adults, on Amazon. Click any image to follow the direct link and ship directly to any address you choose. At $9.95 each, and they’d make great gifts, especially with the free Prime shipping.

       

As you can imagine, I’m very excited. Thank you to everyone who has offered up encouragement, and even purchased already.

Please post a review on Amazon. It  helps my books have more visibility, and is the best compliment an author can receive.