Category Archives: creative process

My Artful Journey, continued

I left off my art journey story at 2009, when I had last played with the silver. A that time, I was still making glass beads, and continued until 2012 when I had the call to dive into glass micro mosaics. (I just spent some time looking at old blog posts from that time. Boy, that was some fun, and I made some really cool stuff!)


When I started working with those teeny tiny little pieces of glass I never thought that that would be the end of me making beads. But, one thing led to another, and found myself only on the torch to make the small components, and to pull the fine stringers of glass for the mosaics. It was still a lot of torch time because each tiny chip of glass actually has anywhere from 5 to 11 layers of glass.

2012-2014

I did that for two years and made some really cool pieces but then I veered again, to making glass stringer stacked murrine.

Getting deeper and deeper into detailed work, as is my way, I didn’t create a a lot of finished pieces. The work that I did make was pretty spectacular, if you ask me. That whole process is a little mind-boggling.

That phase of work only lasted about six months. I’m happy to say, as with most things, I’m glad I took the time to learn the process.

November 2014

I decided that I was going to try my hand at writing again. I really do love writing, and it seemed like it would be the perfect job at the time. You see, my kids were in the tween stage and it was getting increasingly hard to find the amount of uninterrupted time that I needed to continue working in the studio. Writing would let me be in the house with them.

[insert HUGE laugh here from my writer friends]. I love you more than words, and especially the fact that you didn’t actually laugh in front of me at my naivete. Mwah!

We had also started a major construction project, adding on 1500 square feet of new space that included a recording studiol, so I couldn’t work in the studio. I don’t remember how long I tried the writing gig — maybe two years? During that time I learned that I could craft a story and I managed to write two almost-complete first drafts. I also realized that while I love writing, in the form of blogging, and how-to articles, fiction was just not my thing. It was disheartening to realize that after trying to force it for a couple years. I was miserable.

So, still wanting to do a “book thing” I decided I’d create coloring books for adults.

August 2016

I started publishing my coloring books for adults on Amazon and set the goal of publishing 12 books in 12 months. And I did it. During that year the new studio was finished and I jumped into journal art, paper art, and bookmaking.

I realized something very important. I need to make art. I’d missed it so much.

August 2017

I published my twelfth, coloring book. It would be almost a year from that time before I’d be back in the jewelry studio. I’ll pick up there in the next post. To tell you the truth, I lost track of a lot of what I did after the coloring books. My struggle with depression was at it’s lowest. I slept a lot, and was hiding from the world most of that time.

January of 2018

I found a good naturopath and I spent a lot of time working on digging out of that dark hole. The good news is that I made some major lifestyle changes and we figured out what works for me to be mentally healthy. I haven’t been on anti-depressants since September of 2017, and have never, ever, EVER, felt better.

Conversations with Rocks

Yesterday I came to an impasse with the silver so I moseyed over to the lapidary station and started going through my rock collection. That’s one thing I love about making this type of jewelry. If I get stymied in one area there are plenty of others I can jump to for a while in order to clear my head.

I’ve been looking at one particular rock for a while now, just knowing that it was meant for greater things. Unfortunately, I didn’t take a picture of it before I started in on it but you can see it here, where I used it for a photographic prop.

Well, yesterday he spoke to me and encouraged me to use him. I had mixed feelings about that because I found it hard to believe that if something was sentient enough to talk to me, surely it wouldn’t be telling me to chop it up into little pieces. But, I went with it because I get into that stuff, and it was nice to have someone to chat with for the moment in my solitary studio. He reassured me that it was ok, and reminded me that matter is never destroyed, it just changes form. I promised him that I’d keep him beautiful and do him justice.

I think my cutting and polishing came out well, and I now had to give him a good home, or homes, in silver. But I wasn’t ready for getting back to the silver just yet. I was loving the black and white palette so I pulled out some fossil slab that had been waiting patiently for me since February.

That’s when the voices really started. And you can see why. All of those little white things used to be motile little creatures and they still have a lot to say. I set about freeing them into little vignettes of their last moments before being frozen in time.

It was hard to choose which areas to focus on. The more I looked at them, the more I saw and I know that the images are tiny and detailed but I hope that when someone wears them in a piece of jewelry that they find enjoyment in peering deeply and experience the realms that I do.

The one below caught my eye immediately. My first unicorn sighting. I have a feeling it won’t be my last.

Live on, little buddies.

Back in the Jewelry Studio

It has been almost a year since I published my last coloring book. In true form, I’m on to the next thing. Or should I say, back to an old thing? This foray finds me back in the jewelry studio. I thought it would be fun to show you the process for one of the bracelet styles I’m making using scrap soft glass and silver fabrication.

First, I pull out some old scrap glass rods, stringer, and murrine cane, and chop it all up.
Then I line a steel tube with kiln paper and throw it all in.
After a 16 or so hour fuse in the kiln i have a nice puck of colorful glass with which to work.

These pucks get sliced into disks to reveal the designs hidden within.

I then slice them up into funky shapes.

Sometimes I use the scrap from this step.

And configure for another, shorter, fuse in the kiln.

Then comes the polishing. Sometimes I stop at a matte finish.

And sometimes I take them through six different grits of grinding and polishing wheels to achieve a higher shine.

Here is where it all starts to come together. Setting them in silver. I create a silver bezel to frame the little masterpieces.

And then cut out more silver to give them a nice backing.

From there, I solder the bezel to the backing and file the edges to a nice smooth finish.

And add some type of decorative element to make the back just as fun as the front.

If it’s a pendant, with a larger cabochon I am starting to get a little more creative with the setting, for more visual interest without being too busy against the design in the glass.

With the bracelets, the chain links that I solder between the pieces are just enough to pull it all together.

It feels really good to be back in the jewelry studio. Thanks for following along throughout the years!

If you’d like to see more of my process shots in almost-real-time you can follow me on Instagram or my facebook page.

You might also want to check out  my new web site to see all of the other pieces I’ve been creating this year at www.lorigreenbergjewelry.com.